Category Archives: bitter oranges

all the orange


I get by, is probably the best way to describe my Italian. Occasionally I might think I get by very well, but then I trip over a word or tense and see the confusion in the other persons eyes, or someone flips the conversation into English, which always feels like defeat. ‘Da quanto tempo stai qua?‘ How long have you been here? came up in the middle of an awkward conversation the other day. It crossed my mind to lie, but I didn’t, and said nearly 10 years, to which the persons eyebrows seemed to reply oh dear. I responded to the eyebrows with a long, complicated sentence that gave me a headache, but meant I redeemed myself. ‘Dai, parli abbastanza bene italiano!’ I was told. Which means something like, go on you speak pretty good Italian.

Luca is not so convinced. When I asked for ‘Due kili di arance‘ at the market last week my three-year old half English, half Italian son, who I am watching juggle two languages with admiration and envy, looked up at me and pinched his fingers like an Italian. ‘No mum, arance’. ‘Arance‘ I repeated. ‘No, arance’ he said slowly opening his mouth so wide I could see he needs a filling. Shit I thought, but said arance, agitated about the dental neglect and having my pronunciation challenged by a three-year old. We bounced the word back and forth like a ball, half playful, half deadly serious until Luca held his little palm taut’. Mum, just say orange’.


Oranges had been good this year, especially the tarocco from Sicily, heavy things for their size with shiny leaves and dusty-orange skins some of which are flushed slightly with ruddy pink. Not that this flush is a guarantee of the flesh inside. Even though they are blood oranges, they might not be bloody. Each orange is a surprise, anything from yellowy-orange to bleeding scarlet. I like the surprise. I also like the way the natural oil in the zest sprays as you tear the peel –  if you bring a flame close it crackles like a sparkler –  and the flesh, firm and sweet.

A good year and the steady steam of illness Luca has been bringing back from school along with drawings and other children’s toys, means we have been eating a lot of oranges. There is juice every morning, so a permanently sticky counter and floor. We’ve been eating orange and fennel salad, sliced oranges with mint and dates and the lentil and orange salad I wrote about the other week. On a roll, I opened Jane Grigson’s Fruit book in search of new ideas and recipes. Damn, her writing make me happy, the way she weaves together history, etymology, geography, poetry and humour is simply extraordinary. I particularly enjoyed reading her description of the migration of oranges from China through India to Persia before they were brought to europe along with spices, silk and sugar by Arab traders at the end of the Roman empire. The evolution of the name it just as engaging, from the Dravidian indian, narayam, which means perfume within, to the Persian narandj, Spanish naranja, Portuguese laranja, which the Italians softened to arancia and the French and English, orange. Luca slips effortlessly between orange and arancia depending on who he is talking too. To me he says orange.


Jane Grigson not only makes me want to read-on and on (the chapters on pears, plums and quince are superb) she makes me want to cook. From the orange chapter I’ve made her Maltese mayonnaise, which is simply mayonnaise sharpened with orange instead of lemon, and her carrot and orange soup, both surprising and excellent. Although not her recipe, it was her description of cheerful marmalade eaten in France that sent me on my marmalade-making way last week and her description of orange in cakes that made me pull Claudia Roden’s Book of Middle Eastern food from the shelf.

Do you know the recipe? The one where you take two oranges, boil them whole, pulp them, mix the pulp with eggs, ground almonds, sugar and baking powder and then bake the batter until it sets into a cake. CR describes it as somewhere between a cake and a pudding, which is the perfect description. The use of the whole orange, meaning all of it: skin, zest,  pith, flesh, feels nothing short of brilliant. Once boiled (for a long time which makes the kitchen smell gorgeous) and pulped, you have an extraordinary mixture: sharp, sweet, bitter and deeply flavored. It is then tempered by the sugar, almonds and eggs but the opinionated flavor remains distinct – as do the flecks of bright orange – giving the cake a musky, almost spicy flavour. It is such a good cake/pud, especially when eaten with a dollop of thick cream. I also like it with espresso.

Claudia Roden, another favorite writer, explains how this cake has Sephardic Jewish origins, as it was one of the dishes brought to the middle east by the Spanish Jews who fled the inquisition in the 14th and 15th century. This and Jane Grigson’s enchanting orange introduction had me wishing I’d been told about the migration of citrus and cakes at school, it would have been much more helpful that the dreary things we were taught in geography and history lessons. The cake also had me wishing for another land of blazing oranges and almonds, Sicily, and the house of Vincenzo’s grandparents that is sitting empty, waiting to be visited, lived in for a while even. But we can’t think about that yet. For now we will make do with cake made with sicilian oranges or arance (depending on who you are talking too).


Claudia Roden’s Orange and Almond cake

From Claudia Roden’s Book of Middle Eastern food.

A loose-bottomed cake tin make things a whole lot easier. I use one of those John Lewis Anodised satin tins I pinched from my mum, it is 18 cm across, deep and works really well.

  • 1 large orange weighing approximately 350 g (or 2 smaller ones)
  • 6 free range eggs
  • 250 g ground almonds
  • 250 g granulated sugar
  • 1 heaped tsp baking powder
  • butter and flour/breadcrumbs or matzo meal for the tin

Wash the orange(s), put it in a pan, cover with cold water, bring to the boil and then reduce to a simmer for an hour and a half or until it is extremely soft when picked with a fork. Remove the orange from the pan, let it cool, then cut it open and remove any pips. Turn the orange into a pulp by pressing it through a sieve, mouli or by using a blender – I use my faithful stick immersion blender.

Prepare a cake tin – ideally with a loose base – by rubbing it with butter and then dusting it with flour. Set the oven to 190° / 370F.

Beat the eggs in a large bowl, add the pulped orange, beat again, then add the almonds, sugar and baking powder and beat again until you have a thick, even batter. Pour the battle into the tin and bake for between 40 – 60 minutes. Have  a look at the cake after 40 minutes it should be golden and set firm, I find testing with a strand of spaghetti helps, it should come out almost clean (almost, this is a moist cake), as opposed to very sticky. If the cake does need another 10 mins I tend to drape some tin foil over to prevent it from getting too brown. Let it cool in the tin before turning it onto a plate.


We might not be thinking of going to the family house in Sicily quite yet, but I will be in Sicily from the 15 – 20th June with Fabrizia Lanza and Luisa Weiss for a week of food writing and cooking at the Anna Tasca Lanza Cooking school and we would love you to come too. Now of course it is in my interests to convince you to come, and I know it is a big commitment (that said rates of exchange are in our favour and flights too) but it is going to be extraordinary, beautiful, delicious and perspective changing week, I promise. The details are on The Anna Tanza Lanza web site, you can read my post about Sicily, also Melissa’s and Bea’s with her stunning pictures. If you would like to e-mail to ask me anything about the week, pls do. – R


Filed under almonds, bitter oranges, cakes and baking, Fabrizia Lanza, oranges, rachel eats Italy, Sicily

a bittersweet and brillig tale


It must have been 1996 when I first tried to make Seville orange marmalade. I was still at Drama school and living at the far end of Camden Town (which meant it was really Mornington Crescent) in a flat so near the railway line it seemed to lean slightly with every passing train. Other than the intrusion by the 5 32 from Euston (then the 6 02, the 6 32…) it was a great flat, small but well-formed, the top floor of a townhouse renovated by a young architect called Glynn. It was intended to be home, but then his new girlfriend refused to get used to the trains, or the stairs, or the backside of Camden, so they went to live at her flat. He didn’t want to rent it out properly, so the flat was sitting empty. Glynn worked with my best friend Joanna, and I just happened to pass by at the office at right moment. No contract, a promise I would move out if things changed and a gesture of a rent: the flat was mine.

The kitchen, which was in the corner of the living room, was small but extremely practical, as was a big table, that also functioned as a work surface. The table was surrounded by comfy but odd, ugly stacking chairs which looked like they would be more at home in a garden. ‘Bloody Hell, these are Birtoia chairs‘ said a friend’s older boyfriend one evening. He then went on to explain that the chair I was sitting on was one of the most recognized achievements of mid-century modern design. ‘Bloody beautiful‘ he said. I nodded in full agreement and served everyone more food, which was probably roasted vegetables with goats cheese –  from 95 – 99 I made a lot of roasted vegetables with goats cheese – the sound of trains cutting through the wrong end of Camden town..

I bought the 4 lb of Seville oranges from the market on Inverness street, a special order. ‘You know these aren’t eaters don’t you love? said the stall holder. I must have told him I was making marmalade, because he made me promise I would bring him a jar before he tipped the bright orange contents of the crate into two bags. I bought sugar from a shop nearby and then carried my 12 lb project back along Camden high street, past the tube, the Worlds End pub (which smelt like the world’s end), Woolworth’s, right into Mornington street so I could pass the coffee roasters and left into Mornington Terrace.


My mum is a good and committed marmalade maker, principally because my dad is a good and committed marmalade eater. Of course she eats it too! But mostly she makes it for Dad. For as long as I can remember, at some point in January my mum processes enough Seville oranges for my dad to have a jar of marmalade a week plus more for us kids and guests. Growing up I watched and helped enough – stirring, testing, getting in the way, putting the waxy circle on each jar, sticking labels on the jars – to imagine the recipe would be absorbed as if by kitchen osmosis.

Alone in Camden town with 4 lbs of oranges and double the amount of sugar, it did cross my mind I should call mum. But these were the days before free minutes and Skype cook-alongs. I had no home phone and my heavy-weight Nokia was probably dead. I just bulldozed on, I don’t think I even had a proper recipe. The initial steps, came easily, like your fingers remembering all the scales even though it’s 18 years since you played the piano, or your lips the words to the first two verses of a poem you learned at junior school. ‘Twas brillig, and the slithy toves, Did gyre and gimble in the… Halve, squeeze, remove pith and pips but reserve in a piece of muslin (or old tights), chop the peel into moons. Then came the soaking. But was it with or without the sugar? And was it really necessary?


Patience is something I often lack in the kitchen. When I decide to make something, cake, soup, marmalade, pickles, three-day cured beef, I want immediate satisfaction and ideally to be eating whatever I’ve made for the next meal. This is fine when it comes to cake or soup, less so when it comes to recipes that involve the words soak for 24 hours, or leave covered or three days without touching. Without my mum or a recipe reminding me that there was a very good reason for the soaking and waiting, I just continued bulldozing. I boiled and boiled the contents of the pan it until it looked like angry lava and the flat felt like a citrus steam room that smelt of toffee orange.

I didn’t have nearly enough jars for the several liters of amber syrup I boiled up, so some was flushed away immediately, along with my guilt. The rest was poured into jars without a funnel which meant much of it dribbling down the counters and across the table of my well-formed kitchen. The jars were put in the cupboard.  I might have managed to use up one jar, pouring it over buttered toast and then watching it flood the plate, tipping it over yogurt and pretending marmalade syrup might become a thing. The jars got pushed to the very back of the cupboard. The girlfriend didn’t change her mind about the trains. She did however change her mind about Glynn, or Glynn changed his mind about her. Either way, I had to give up the flat.  The day I left, the jars left sticky rings in the cupboard. I then left the jars and another dose of shame, in a skip next to the railway line.


For years I had absolutely no desire to make marmalade. I’d happily eat it at my parents – my dad keeping a possessive eye on his pot as it was passed around the table – but I didn’t want anything to do with citrus pips and pans. Even when I moved to Rome ten years ago and citrus trees became everyday (although far from ordinary to my northern european eyes) and bitter orange windfalls, squashed like citrus road kill, marked the streets near my flat, I wasn’t tempted.

Then a few years back, I was tempted again, and encouraged by Vincenzo, a Sicilian for whom citrus is ordinary and essential, and who loves bitter orange marmalade as much as my dad. This time I did have a recipe, but from a sugar cautious friend, which meant the marmalade was more of a compote. There was a slight sense of déjà vu as I poured the amber mixture into the jars. It was fine, nice even and we ate most of it. Later there was lemon marmalade, another recipe from a friend, the quantities of which got lost in translation which meant it didn’t really set properly either. This was fine too and it was poured valiantly over everything, especially lemon cake, which was good and made it all feel worth while.


Then this time last week I walked up to the Giardino Degli Aranci, a small park shaded by orange trees on the Aventine hill. It is just minutes from our flat in Testaccio, but feels like another world: calm, shady and with an ideal viewpoint from which to observe this extraordinarily beautiful city. Turning away from the view, I noticed the dark green trees and the grass below were blobbed with orange. Marmalade crossed my mind.

Actually the seed had been planted at christmas, when I spent a nice part of one afternoon looking at a new cookbook of  mum’s all about marmalade. One picture in particular struck me, a big pan of bright orange chopped peel, in it suspended the muslin bag of pith and seeds, a practical and beautiful picture. It caught mum’s eye too, a serious marmalade maker swayed by a picture and new recipe (it is pretty much what she does anyway, give or take a very good tip.) Back in Rome I asked my fruit and veg guys to get me some bitter oranges, but there was always a good reason why they forgot. Then I went up to the orange garden and saw the oranges. We passed by the garden again few days later on our way back from somewhere, Vincenzo waiting in the stick- gear panda in the carpark, me with a big canvas bag. As I said, they were windfalls.

Sarah Randell’s recipe begins with an excellent instruction – put the radio on. Which I did. I would like to expand this instruction to: put the radio on (quietly) make a cup of tea, sit at the table and read through the recipe, twice. This is not because it is particularly difficult or complicated recipe, but because there are quite a few steps, each filled with tips and details which make all the difference. The sort of tips and details you could well miss if – like me – you tend to bulldoze through and next thing you know your hands are sticky with orange – which is a lovely way to be –  and your glasses are steamy and you can’t get a proper look and the recipe page or screen on the other side of the kitchen meaning you miss the most important word. Once you have read twice, turn the radio up, finish your cup of tea and begin.


I haven’t enjoyed making something so much for ages. Oranges are inherently joyful, simply taking one in your hand, scratching the flesh so the scent is liberated and your nail oily, is a tonic – unless you are a girl I was at school with, who found even the thought of the smile of orange they used to make us suck on during half-time of Netball matches so horrendous she hid in the changing room toilets. For most though, washing, squeezing, chopping , slicing and cooking a large quality of oranges is a messy, laborious, sticky jolt of orange joy. Go and make marmalade should be written at the bottom of doctors prescriptions as a cure of sorts: marmalade against the strain of modern life, conserving for health, citrus therapy or some such thing.

As I poured the marmalade into the jars  – I still didn’t have enough jars – I was transported back to Mornington Terrace, and that January afternoon in 1996 and my 23 year old self, insecure yet full of myself, trying to get the sticky marmalade syrup into the damn jars without a proper ladle and it running down the counter and across the table surrounded by important chairs. Things got sticky here in Rome too, but then I wiped the jars and was transported back to Kirkwick avenue and helping mum in the chaotic, loving, bickering and sticky atmosphere of our family kitchen. Memory stirring English style marmalade, made with Roman oranges, for a Sicilian:  it felt like a sort of coming together, which is something  I have been thinking a lot about lately. But much more important than my amateur philosophizing, is the marmalade, which set perfectly and is delicious, especially on hot buttered toast.


Seville Orange marmalade

Adapted from a recipe by Sarah Randell from her beautiful book Marmalade: a bittersweet cookbook

  • 1 kg Seville oranges
  • 1 fat lemon
  • 2 kg sugar

You need a big pan and a  30cm/ 30cm square of gauze or muslin and 6 or 7 340 ml jars

Put the radio on. Make a cup of tea and sit at the table and read through the recipe so you know exactly what lies ahead.

Cut the oranges in half, flicking obvious pips into the gauze. Squeeze the oranges and then put the juice into a large bowl or the pan you are going to use. Put and flesh or pips from the squeezer into the gauze.

Cut the orange halves into quarters – scraping any membrane away and putting it into the gauze – then cut the peel into uniform shreds – thin or chunky depending on your preference. Put the peel into the pan with the juice. Gather the gauze into a money bag pouch and tie with string (leaving a long end that will tie the gauze to the pan handle during cooking).  Add 2.25 litres of water to the pan and the gauze pouch. Cover the pan with cling film and leave in a cool place overnight.

The next day if you have used a bowl, tip everything into a pan. Tie the gauze pouch to the handle with the string so it hangs just submerged in the liquid. Bring everything to a simmer over a low – medium heat, then simmer until the pieces of orange is really soft – they should squash easily between two fingers – this should take about an hour and a half.

Once the peel is soft, remove the pouch, pressing it gently against the side of the pan first to extract as much juice as possible. Put the pouch into a bowl to cool for 10 minutes. Meanwhile, squeeze the lemon juice into the pan, then add the sugar. Once the pouch is coolish, squeeze the last of the pectin rich juice from it and put it in the pan – you may need rubber gloves. You can now discard the pouch, it has done its job.

Preheat the oven to 140° put the – very clean – jars on a baking tray and then in the oven to sterilize for 20 minutes. Put a two saucers in the freezer.

Keep stirring the pan to help dissolve the sugar – this is an important stage, it will take about 15 mins. Once the sugar is dissolved bring the marmalade to a rolling boil and boil for 20 – 25 minutes or until it has reached the setting point for which you should use the wrinkle test. This means putting a blob of marmalade on a cold saucer, putting the saucer back in the freezer for a minute and then dragging your finger through the blob. The marmalade is ready when the blob wrinkles and remains pretty much split in two and doesn’t run back into a whole.

When the marmalade is ready, take the pan from the heat and let it sit for 15 minutes which will help the peel disperse more evenly. Use a measuring jug, ladle or funnel to transfer the marmalade into the warm jars. Seal the jars immediately and leave the to cool. Give the jars a final wipe before labeling. Keep the jars in a cool dry place, where it will keep for over a year.




Filed under bitter oranges, conserves, marmalade, winter recipes